Much has been written about the practice of running, a therapeutic exercise with potential for cathartic release. In the sphere of competitive games, however, the pressure of competition can lead athletes to forget of this fundamental aim. Adapted from the eponymous manga, Kenji Iwaisawa’s enthralling anime looks beyond awards and honors to investigate the inner motivation that fuels an athlete’s ambition.
100 Meters follows Togashi and Komiya, early-life buddies whose life paths diverge when they turn professional. Previously the fastest grade-schooler in Japan, Togashi guides the more uncertain Komiya with the fundamentals. As the twosome move through their youth and early maturity, Komiya consistently improves up the ranking of top athletes, while Togashi is trapped in a decline; both battle anxieties and insecurities. Spanning more than 15 years, the narrative follows their internal hurdles, revealing the difficulties of an competitor’s existence, locked in a loop of media attention, achievement demands and sponsorship demands.
Maybe it’s down to the base story, but the animation’s answer to these complex dilemmas is a bit simplistic; repeatedly, a character’s inner doubts quickly dissolve after a lengthy conversation with a peer or a senior. But what the film is deficient in narrative subtlety and tempo, it makes up for in stunning imagery. Using trace-over animation, in which animation is drawn atop real-life video, the feature produces stunningly detailed running sequences. The physical exertion of a sprint is on full display, and the pain and the joy of rivalry are engraved on the athletes’ physiques.
One notably pivotal race concludes in the storm, with sheets of monochrome brushwork that immerse the screen. Apart from conversation, these flourishes of stylistic brilliance capture the almost spiritual high the movie aims to evoke.
The Sprint Film is in UK cinemas from 16 November.
A tech journalist and gaming enthusiast with over a decade of experience covering digital trends and innovations.