Six oddball but doughty children confront the way of a colossal and dreadful paranormal evil that has infiltrated our existence from the farthest reaches of shadow. They are compelled to wage a lifelong battle confronting it, experiencing terror upon terror in the process.
This is the plot, in essence, of the master of horror’s iconic book It (arguably his finest; no arguments). It is also the plot of the celebrated author’s heir Joe Hill’s new horror doorstopper, in which a close-knit group call forth the primordial, utterly malevolent dragon King Sorrow from the Abyssal Void to aid them in overcoming some antagonists. Needless to say, their supernatural ritual backfires.
Joseph Hillström King started his career striving diligently to remain separate from his renowned parent, using the pseudonym he maintains to this day and steering clear of encounters with his agent (he bears a striking resemblance to his father). However, in his newest work, he fully acknowledges it. Certain passages that intentionally mirror some of his father’s iconic (“The man in black fled across the desert …”); a scene that recalls a King plot point (a battle of wits). In this whopper of a novel, Hill is delighting in his family connection, and readers share in the joy.
Back to those friends: the majority are scholars at the made-up Rackham College in this northeastern locale. First is Arthur, academic and gifted, cracking ancient puzzles in his spare time; another key figure, affluent, clever, and prone to trampling those who oppose him; Donna and Donovan; the stunning the lovely Allie. Then we have Gwen, who remains outside their academic circle, but assumes a vital role of their band as they dabble, half believing, somewhat doubtful, in supernatural practices.
Our hero becomes, due to circumstances beyond his control, forced into stealing prized manuscripts from his treasured institution’s archives by a set of regional villains. This wounds his academic spirit, notably because he’s compelled to seize the institution’s prized and chilling work: the logbook of adept the historical figure (put to death “for dealing with infernal entities in 1703”; the cover is crafted from his flesh). The intrepid group peruse the diary, discover they could summon what Crane describes as a armored demon” to assist Arthur with his coercion issue – and spend the rest of the novel enduring the repercussions. This ancient entity will certainly eliminate those troublesome local drug dealers, but they’ll have to choose a fresh offering annually or become his victim themselves. In the character’s own words: “You plant seeds of destruction, all you get is more dragons.”
Moving through four decades, Hill also moves with natural fluency through various literary forms: as the friends strive to manage the situation they find themselves in by, in different ways, picking people who are obviously evil to offer up, or hunting down ways to kill the dragon themselves, we go from page-turner to shadowy tale, covert operations to love story to fright. One particularly memorable shift was to a heroic journey, far beneath the surface under the English county, a section tinged by the fantasy maestro that was magnificently horrifying.
There are trolls – those living under bridges and internet antagonists, genuinely frightening and superbly depicted. We see enchanted blades and deceptions, pulse-pounding sequences of bravery and scenes of appalling malevolence, both earthly and otherworldly. This is a remarkable achievement: a horror novel that is above all a paean to the imagination, and to love and friendship. “We longed for a tale to embrace and {now we’ve got one|presently we possess it|currently we hold it,” says Colin as the allies gather at the table, getting ready to invoke their dragon to life with the power of their thoughts.
According to Joe Hill in his introductory quote: “Hic sunt dracones”. Ensure you experience it.
A tech journalist and gaming enthusiast with over a decade of experience covering digital trends and innovations.